THEATRESCIENCE
7 NORTHUMBERLAND ST, CARDIFF  CF5 1LZ- Active - Proposal to Strike off
- PRI/LBG/NSC (Private, Limited by guarantee, no share capital, use of 'Limited' exemption)
- Company No. 07634931
- Last Updated: 01 Jun 2023
Company Profile
THEATRESCIENCE was incorporated on Monday, May 16, 2011 as a PRI/LBG/NSC (Private, Limited by guarantee, no share capital, use of 'Limited' exemption) with registered address in CARDIFF. THEATRESCIENCE has the status: Active - Proposal to Strike off and it's listed in the following category: Performing arts. This PRI/LBG/NSC (Private, Limited by guarantee, no share capital, use of 'Limited' exemption) has been operating for 13 years 6 months and 1 day.
Name | THEATRESCIENCE |
---|---|
Company number | 07634931 |
Company type | PRI/LBG/NSC (Private, Limited by guarantee, no share capital, use of 'Limited' exemption) |
Incorporation date | 16 May 2011 |
Status | Active - Proposal to Strike off |
Industry (SIC 2007) |
Address
Registered Address |
7 NORTHUMBERLAND ST CARDIFF CF5 1LZ |
---|---|
Country Of Origin | WALES |
Map based on PostCode
Ownership Information
Individuals and organizations with significant control over the business either by owning at least 25% shares or by virtue of significant influence over the business.
Name | Nature of Control |
---|---|
Ms Rebecca Leigh Gould Nationality: Welsh |
Dates: Tuesday, January 1, 2019 - present
significant influence or control
significant influence or control as trust
significant influence or control as firm
|
Mr Jeffrey Teare Nationality: British |
Dates: Monday, May 16, 2016 - Tuesday, January 1, 2019
significant influence or control
|
Accounts and Confirmation
Type of accounts | DORMANT |
---|---|
End of financial Year | 31 May |
Next annual accounts due | 29 February 2024, (-262 days left) |
Latest accounts | 31 May 2022 |
Next confirmation statement due | 13 June 2017 |
Last confirmation statement dated | 16 May 2016 |
Mortgages
No mortgages have been registered against THEATRESCIENCE.
Previous Names
Name | Change Date |
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THEATRESCIENCE | 16 May 2011 |